The making of an Old Thorny folder

In the picture above I have now layed out my template parts and scribed
around the parts so that I can cut them out. The blade is a piece
of basket weave mosaic damascus and the other parts are of O1 steel. I
saw around them then grind to my line that I scribbed. I then use the
vice grips to hold the template back on the sawed out piece and drill
my holes.

Above I have the holes drilled and have fitted the lockbar into the lug
of the blade. I hand file this. I use about a 5 degree angle on the
front edge and about a 7 degree angle on the back edge. This takes
awhile to do with a file but after several years of learning how to
file you can do this fine.
Photo #3

In #3, I have placed the parts together. This is the
working innards of the folder. You can see where you will press down
with the finger and see what will give the spring action to work the
folder. The small notch in the bottom back of the blade will be the
"stop" of the blade as it closes. This will prevent the blade from
going down to far and smacking the spring putting a ding in your new
folders blade. I hate when it does that, which is why I put the stop on
them. Not everyone does. Getting the timing on that can be a booger. We
will cover that indepth as we get to it.
The spring is the back and what is shown in the lower right of the above
photo. What appears to be the nose or longer thin portion sticking out
is the spring. What is showing that looks like the top in reality is
the bottom of the spring. I will polish it and give a slight radius to
it. If you picture your finger pressing on the rocking bar then the
spring will have a very slight motion back and forth due to its spring
action. I want this to be smooth so both the spring and its 'reciver"
should be polished. I will do the polishing after heat treating
and tempering.
The thickness and taper of the spring will determine how hard you
have to press down. If I have to press down to hard to unlock the blade
then I will take a bit of thickness off little at a time until I get
what I want in the required pressure. This will vary with each maker.
Personally I like one not to hard to press down as my old hands are not
as young as they once was.
Photo #4

In the above photo I have dovetailed the
bolsters. You do this by cutting out the bolster material, drilling the
holes in the bolster, then put a pin in the hole and make sure your
dove tails match. This is a back and forth game till you get it matched
up well. I then welded the bolsters onto the liners. Next step was to
drill the pivot pin hole that was only in the bolsters through the
liner itself. Showing above is the fitting or swedging of the rocker
bar into the lock of the blade. I used my template to drill a 1/16 inch
hole in the rocker bar. With the pivot pin going through the liner and
olster and the rocker bar seated I will then clamp off and drill the
pin hole that the rocker bar will pivot on.
Photo #5
#5 shows where I have drilled the rocker bar pivot hole and
drilled one hole only through the spring and liner. Here is where it
starts getting tricky. I can do some things such as rough timing now.
Some will have to be done after heat treating and tempering the blade
such as drilling that last hole. When the tempering is done then I mark
off very well where it is laying now in the closed position. Then I
will remove everything but the spring that is marked out, then I will
swing upward about 20 thousands of an inch and drill that last hole.
That should give us enough spring.
#6

#6 shows where the last hole will be. I just wanted to show about what
the guts look like when the it is a loose open postion. I can
hold pressure with my finger right where the stone is laying to provide
enough action to make sure it is going to operate smooth or not.
#7

#7 is showing the postive stop. This is a stop measure to make sure it
goes no futher down and hits the spring. Not all folders have this in a
lock back. When I set the timing up on this I file forward to make the
tip drop, I file and stone downwards to make the rocker bar fall into a
level position
with the back of the bolsters in the closed postion, this has to be
timed with the bar being flush with the bolsters in the open postion.
This is important as you can see and feel 3 thousands of an inch, you
gotta keep filing and stoning until it is exact.
If you will look at the photo again. The lug on the bottom of the
rocker is what the "cam" or rounded portion of the blade of the blade
runs against. I stone and polish this so it is as smooth as possible.
You also have to stone and polish a tiny radius so it "breaks over"
smooth. I stone the cam or the rounded portion of the back of the blade
as well.
#8

Number 8 shows where I have relieved the surrounding area of the pivot.
I am sure there are better ways to do this but this is the way I do. I
relieve it so that it gives a smoother action and less drag. The drag
also causes the sides of the liner contacting the visable parts of the
blades ricasso area to scratch up. The relief is done in as many ways
as there are makers. Some hand scrape it,some mill it, some use washers
in that area. Just depends upon who makes it and how they make it, as
long as it has some relief and it is sturdy it should not make much
difference. I prefer to use my exisiting materials.
#9

In #9 I have put it together so I can see how much my rocker bar lays
above my bolster. I will grind/sand this down till I have cleaned up
the bolsters and the rocker bar is flush.
#10

I now have the rocker bar flush in the open postion and not in focus with the camera it appears.
#11

In #11 is shows how much the rocker bar is raised above the bolster in
the closed positon. This is where the timing of the postive stop comes
into play. I never do this work on a Milling machine. I hand file all
of my parts then stone that finish then polish that finish. This way I
can get it to fit but it do take a lot of time. Remember when doing
that timing, forward drops the blade and downward drops the rocker bar
and you have to do them together as each will effect the other. I
am sure there are better ways and I am slow. I dont have a surface
grinder, I go back and forth on a piece of sand paper on a marble block
till I get what I want. I know it is slow and I could do it much
faster.
#12

Though
#12 photo does not show it but I have the timing down to
where the rocker bar is flush in both open and closed postion. I an
ready to "freshen" out the pocket to where your finger does not holler
calf rope every time you try to open it. I do this by hand also. Once I
am done with this step, the next step is to choose the handle material
and lay it out.
#13

My coloring is off with this photo so you will have to pardon me. I will try and get a realistic color the next shot.
In #13 photo I have contoured the bolsters so that the major work
of doing that is done with the handle scales not attached. Doing it
like that cuts down on the heat that would migrate to the ivory causing
more chance of cracking. Easy does it with ivory. You should always let
ivory settle for a year or more. I have had this piece of ivory for
over 6 years. I have also dovetailed the ivory to match the dovetail in
the bolsters.
The next step will be to attach the ivory to the liners, grind pretty
dang close to finish. At that point I will do in and sand the blade and
put a convex grind on the edge and etch the blade. That process will
take a bit of doings so I will be sure and shoot the doings of that.
You have to be careful when you are etching folder blades. It requires
Maybelline Red fingernail polish.
#14

#14 shows the masking of the running gear. You have to mask off and
keep from etching any of the contact parts, this insures a smooth
running movement or else you would be bumping on the highs and lows of
the etch. You have to make sure the pivot hole is masked so it rolls
smooth, the lock slots and postive stop or you just lost your orginial
fit, the sides so that it has constant contact with the liner portion.
I sent several out that was totally etched as it did not dawn on me for
awhile that non etched parts run smoother. Convex ground. I like convex
grinds cause they cut better for me. I do my folders the same way as
the large fixed blades cause it works.
#15

In #15 photo I show the finished etched blade, still traces of the
resist on it that I gotta clean off. I was in a hurry to get this photo
done and posted so I can go back to work on the handles. This is a 7
piece basket weave. Each of those little 7 piece weaves started out as
2 inch squares. I have just shrank them in the welding processes until
they are this size. You can see where they are woven. This pattern
takes awhile to do. The next step is to finish sanding the handles to
the liners or at least really really close. Then I will drill the pin
holes through the handle scales, slide some dummy pins in and finish
sand and polish it all with dummy pins.
At that time then I will make up the real pins, peen them to fit it all
up. Then make the thumb bob to open it with. I will show a photo of
that as well. Oh yeah, when you drill through the handle materials for
the pin holes you have to do that upside down. By that I mean with the
handle material not being flat and true on the outside the only true
surface you have is the liners. For this I made an alumium bracket that
I can clamp the liners to it from the bottom side and with slots that
matches my hole patterns I can then drill through using my liner holes
as my guide. The big boys may do it different and probally better, this
is just the way I do it.
As yall can see by now, making folders is not an easy task for me, it
takes me much longer to do one of these than a hunter but a smith has
to keep stretching himself.
#16

This is a three parter photograph of the rocker bar engraving. Probally
none of them are in focus well enough. Thats why there are three so it
can be more frusterating to see, "what in the heck he is doing to that
folding knife".
The thickness of the rocker bar is 3/32 inch or .093 thousands of an
inch. Therefore the engraving running the length of the rocker bar is
only 1/32 inch wide or about .035 wide. In that thickness I made about
10 cuts wide so you can see the "running wheat" pattern. On the side of
the rocker bar where the thumb presses to lock and unlock I did a
little scratching as well. Now I got to go rest my eyes.
#17

This one shows some of the progress on the engraving. I have been
working on it two full days now. Sometimes you have to think ahead on
this stuff. I put a stainless pin in the bolster and got to thinking
then how am I going to engrave it. At that point I took it out and put
in a nickle silver pin so that I could use it as the center of a
flower. For the gold work in case some of you who are just joining us
let me explain briefly how I inlay the gold wire.
On this one I took a chisel ground at 90 degrees and cut a groove where
I wanted to gold to go. Then I have another chisel that is ground so
that I can go straight down in the bottom of the groove that I cut,
when I do this the tool kicks inside giving me a dovetail. The draw
back with this is that the dovetail tool is only .010 thousands of an
inch wide. Therefore give these instructions you ought to be able to
measure the length of the wires and divide by .010 with a .002 or so
underlap so that you make sure you get constant dovetailing and then
you should come up with how many times I have to do this to get
constant dovetails. I figured it up and came up with the figure of a
whole butt load of times. Once you get it dovetailed then you hammer in
the gold itself, stone off the tops, then go in and cut a narrow groove
that will be filled with lacquer on both sides of the gold wire to make
it "pop" when you look at it.
I like to have messed up on this piece as I cut the shading in a bit
early not thinking. Between the stoning and bit of sanding I have
removed some of my shading so I will have to go in and recut on the big
flower. arrg. You can also see in this photo where I have only cut
portion of the way around on both sides of the gold so you can see what
it does do to it when you set it up like this. Cutting the small groove
around the scroll as well as any other places can also give you lots of
trouble. If you go inward just a few thousands too much your chisel
will dig right into the gold and you got a mess. The only thing to do
then is recut and re-inlay the spot. I have done that. Ubet. Lots of
time but I like it.
#18

The engraving is finished on this one side. The only thing I am
pondering is should I go back and checker the center of the large
flower. Yall have an opinion let me know.
At this point I start relieving the off sides engraving and do the
shading like this one has. From there, which will be tomorrow at this
point I will begin making the thumbbob. The only reason I bought the
tiny lathe I have is for making screws, thumbbobs on my folders. I
swear to goodness I dont know why I torture myself with making this on
rare occasions. I would be better suited to go study with a folder guy
for a week and see if I could apply that new knowledge so I could make
them more efficent. However I have so many irons in the fire there are
other things I would rather do at this time.
I will post up the thumb bob attatchment when finished.